I am an American artist of Taiwanese heritage working in sustained collaboration with culture bearers, researchers, and museum collections to resist historical amnesia, co-envision thriving futures and cultivate solidarity.

My practice begins in the archives and the field: years of research into the impacts of the spice trade, the interrelated activities of the Dutch East and West India Companies, transpacific migration routes, and histories of indentured laborers, have informed multidisciplinary works that surface counter-narratives to empire.

I approach exhibition-making as an experiential medium, integrating painting, sculpture, installation, olfaction, emerging technologies, and performance to reshape how history is felt, embodied, and remembered. Through satire, sensory experience, and world-building, I open space to reckon with fragmented public histories that guide more livable futures grounded in reciprocity and interdependence.