In the spirit of migration, I condensed the autoethnographic performance of retracing the escape route of a mid-19th century Chinese coolie into the form of an itinerant museum that traveled to various South American cultural and educational institutions. This featured an archive of objects and papers collected from the journey. A sample of the inventory list includes a preserved taparaco moth, the body of a moth that died on my navel after an ayahuascan ceremony in the Amazons, a family tree from the Tang dynasty to Iquitos, bamboo stalks and ginger roots from Chanchamayo, abandoned railroad screw spikes from Ticlio, a found jewelry box with a “chinita” wood carving, and a Diccionario Chino.